Add to ORKGAs readers of poetry, we consistently commit the same act of self-deprivation – we associate literary quality with longevity. This emerges from a sort of reverse ageism, wherein the pillars of national canons are often authors who have remained prolific across several decades, the assumption being that great poets return to the anvil. Coupled with longevity is visibility, the extent to which a poet is seen to be successful. While the canonizing influence of visibility has always been present, it has been reinforced in an age of social media-enabled posturing. To be a great writer, then, it would seem one must be both productive and visible – a trend that suggests that we have forgotten how to listen when words might vouch for themselves, ho...
Simply paying attention guarantees the transformation from a nature supposedly asleep to the work th...
While Cork, Ireland is a city transformed by globalization and gentrification, its literary figures ...
Meaghan once remarked (I think to the poet and art critic Ken Bolton) that she didn’t like poetry be...
As readers of poetry, we consistently commit the same act of self-deprivation – we associate literar...
With great anticipation and curiosity I received the Anthology of Young Irish Poets published in 201...
Nuala Ní Dhomhnaill once described the act of writing poetry in Irish as an act akin to placing a ba...
In this paper, I seek to contribute to the resurrection from critical obscurity of an overlooked tra...
Who are the best young poets today? Which new poets are most likely to become the defining voices of...
Frank Sewell's book offers an informed and discursive introduction to four twentieth-century poets w...
The article reviews two books On the Raft With Fr. Roseliep, by James Liddy and Honeysuckle, Hone...
For past number of years, Southword editions has produced a Best of Irish Poetry volume. The antholo...
Seamus Heaney’s acknowledgement of the names of the places in his poems serve as a map, but a map th...
Irish Literature in Transition 1980–2020, edited by Eric Falci and Paige Reynolds, is the final volu...
Empirical study into youth poetry slam, using interviews, focus groups, participant observation and ...
The interview focuses largely on Thomas O'Grady's first collection of poetry What Really Matters. He...
Simply paying attention guarantees the transformation from a nature supposedly asleep to the work th...
While Cork, Ireland is a city transformed by globalization and gentrification, its literary figures ...
Meaghan once remarked (I think to the poet and art critic Ken Bolton) that she didn’t like poetry be...
As readers of poetry, we consistently commit the same act of self-deprivation – we associate literar...
With great anticipation and curiosity I received the Anthology of Young Irish Poets published in 201...
Nuala Ní Dhomhnaill once described the act of writing poetry in Irish as an act akin to placing a ba...
In this paper, I seek to contribute to the resurrection from critical obscurity of an overlooked tra...
Who are the best young poets today? Which new poets are most likely to become the defining voices of...
Frank Sewell's book offers an informed and discursive introduction to four twentieth-century poets w...
The article reviews two books On the Raft With Fr. Roseliep, by James Liddy and Honeysuckle, Hone...
For past number of years, Southword editions has produced a Best of Irish Poetry volume. The antholo...
Seamus Heaney’s acknowledgement of the names of the places in his poems serve as a map, but a map th...
Irish Literature in Transition 1980–2020, edited by Eric Falci and Paige Reynolds, is the final volu...
Empirical study into youth poetry slam, using interviews, focus groups, participant observation and ...
The interview focuses largely on Thomas O'Grady's first collection of poetry What Really Matters. He...
Simply paying attention guarantees the transformation from a nature supposedly asleep to the work th...
While Cork, Ireland is a city transformed by globalization and gentrification, its literary figures ...
Meaghan once remarked (I think to the poet and art critic Ken Bolton) that she didn’t like poetry be...